Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 16
Síða 150
Queered Cinema : Film , Matter , and Matthew Barney Michael Jay McClure This essay makes two propositions ; or , rather , this essay makes one proposition with two parts . First , I propose that queer ... Matthew Barney Michael Jay McClure.
Queered Cinema : Film , Matter , and Matthew Barney Michael Jay McClure This essay makes two propositions ; or , rather , this essay makes one proposition with two parts . First , I propose that queer ... Matthew Barney Michael Jay McClure.
Síða 160
... Matthew Barney . This is presumably because these characters stand face to face , although this seems far from the standard shot - reverse shot composition to which we are accustomed : the camera , instead of assuming the direct look ...
... Matthew Barney . This is presumably because these characters stand face to face , although this seems far from the standard shot - reverse shot composition to which we are accustomed : the camera , instead of assuming the direct look ...
Síða 166
... Matthew Barney , The CREMASTER Cycle ( New York : Guggen- heim Museum , 2002 ) , 46. Although we may rely heavily on Spector's research for such details , this information would otherwise be unavailable to us . A great deal of Spector's ...
... Matthew Barney , The CREMASTER Cycle ( New York : Guggen- heim Museum , 2002 ) , 46. Although we may rely heavily on Spector's research for such details , this information would otherwise be unavailable to us . A great deal of Spector's ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
3 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York