Discourse, Bindi 32,Útgáfa 22010 |
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Síða 236
... Gledhill has described male genres such as the Western and the gangster film as melodramas ; and Linda Williams has proposed melodrama as the dominant mode in American literature , stage , film , and television.2 Perhaps because of its ...
... Gledhill has described male genres such as the Western and the gangster film as melodramas ; and Linda Williams has proposed melodrama as the dominant mode in American literature , stage , film , and television.2 Perhaps because of its ...
Síða 254
... Gledhill ( London : British Film Institute , 1987 ) , 43–69 , esp . 50–51 ; Christine Gledhill , " The Melodramatic Field : An Investigation , " in Gledhill , Home Is Where , 34-35 ; and Linda Williams , Playing the Race Card ...
... Gledhill ( London : British Film Institute , 1987 ) , 43–69 , esp . 50–51 ; Christine Gledhill , " The Melodramatic Field : An Investigation , " in Gledhill , Home Is Where , 34-35 ; and Linda Williams , Playing the Race Card ...
Síða 255
... Gledhill's theori- zation of melodrama depends on a more schematic tripartite distinction of these post - Enlightenment modes ( Gledhill , “ Dialogue , ” Cinema Journal 25 , no . 4 ( 1986 ) : 44-48 , quotation on 45 ; Gledhill ...
... Gledhill's theori- zation of melodrama depends on a more schematic tripartite distinction of these post - Enlightenment modes ( Gledhill , “ Dialogue , ” Cinema Journal 25 , no . 4 ( 1986 ) : 44-48 , quotation on 45 ; Gledhill ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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