Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 6
Síða 217
... Eliot's The Waste Land , from which I have drawn the second epigraph for this essay . My epi- graph appears in the last section of the poem , entitled " What the Thunder Said , " in which the poet dwells upon three interrelated themes ...
... Eliot's The Waste Land , from which I have drawn the second epigraph for this essay . My epi- graph appears in the last section of the poem , entitled " What the Thunder Said , " in which the poet dwells upon three interrelated themes ...
Síða 219
... Eliot's masterpiece . But whereas both Eliot's poem and Cuarón's film share a collagelike structure , it should be noted that Cuarón's practice of referenc- ing is fundamentally different from Fredric Jameson's formulation of the ...
... Eliot's masterpiece . But whereas both Eliot's poem and Cuarón's film share a collagelike structure , it should be noted that Cuarón's practice of referenc- ing is fundamentally different from Fredric Jameson's formulation of the ...
Síða 229
... Eliot's modernist vision of the future goes only so far : as Mark Erwin concludes in his essay on Wittgensteinian ethics in The Waste Land , tradition is never a stable foundation for cultural consensus ; it is merely an assort- ment of ...
... Eliot's modernist vision of the future goes only so far : as Mark Erwin concludes in his essay on Wittgensteinian ethics in The Waste Land , tradition is never a stable foundation for cultural consensus ; it is merely an assort- ment of ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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