Discourse, Bindi 32,Útgáfa 22010 |
From inside the book
Niðurstöður 1 - 3 af 19
Síða 150
... Barney , espe- cially how that work might signify , or fail to signify . Second , Mat- thew Barney's work might help us ... Barney's largely inexplicable films and specifically some scene analysis . Before that , however , I begin by ...
... Barney , espe- cially how that work might signify , or fail to signify . Second , Mat- thew Barney's work might help us ... Barney's largely inexplicable films and specifically some scene analysis . Before that , however , I begin by ...
Síða 158
... Barney's cinematic work , this film also includes a number of images - fabric overlays , ribbons , shiny and sliding elevator panels - that seem to reproduce film's other aspect : film as a mesmerizing sheet of light . Indeed , Barney ...
... Barney's cinematic work , this film also includes a number of images - fabric overlays , ribbons , shiny and sliding elevator panels - that seem to reproduce film's other aspect : film as a mesmerizing sheet of light . Indeed , Barney ...
Síða 166
... Barney , The CREMASTER Cycle ( New York : Guggen- heim Museum , 2002 ) , 46. Although we may rely heavily on Spector's ... Barney's characters , figures , and situations are striking - constrained space , the tableau , " posed figures ...
... Barney , The CREMASTER Cycle ( New York : Guggen- heim Museum , 2002 ) , 46. Although we may rely heavily on Spector's ... Barney's characters , figures , and situations are striking - constrained space , the tableau , " posed figures ...
Efni
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Höfundarréttur | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York