Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28,Útgáfur 2-3Indiana University Press, 2006 |
From inside the book
Niðurstöður 1 - 3 af 31
Síða 19
... writes about things becoming themselves and allowing their essence to appear in terms that could also be used to describe living beings . He writes : We know that things and people are always forced to conceal them- selves , have to ...
... writes about things becoming themselves and allowing their essence to appear in terms that could also be used to describe living beings . He writes : We know that things and people are always forced to conceal them- selves , have to ...
Síða 22
... writes about films in which the characters become uninterested in survival , looking and listening to the world instead of acting in it , at the same time , the lexicon from which he draws catachrestic terms in his descriptions moves ...
... writes about films in which the characters become uninterested in survival , looking and listening to the world instead of acting in it , at the same time , the lexicon from which he draws catachrestic terms in his descriptions moves ...
Síða 49
... writes , " has a great affinity for attention , which it attracts , absorbs , monopolizes and directs , " The Psychology of Day - dreams , 207 . 39 See Jodi Hauptman's critical analysis of Rose Hobart in “ The Erupting and Occluded Body ...
... writes , " has a great affinity for attention , which it attracts , absorbs , monopolizes and directs , " The Psychology of Day - dreams , 207 . 39 See Jodi Hauptman's critical analysis of Rose Hobart in “ The Erupting and Occluded Body ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York