Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28,Útgáfur 2-3Indiana University Press, 2006 |
From inside the book
Niðurstöður 1 - 3 af 25
Síða 63
... viewer's , and possibly that of the viewer's guardian or congressperson , of the propriety of Hollywood family - comedic adventure . 21 Marty / Fox thinly veils his generic relief under a comic nod to the confusion of son / brother that ...
... viewer's , and possibly that of the viewer's guardian or congressperson , of the propriety of Hollywood family - comedic adventure . 21 Marty / Fox thinly veils his generic relief under a comic nod to the confusion of son / brother that ...
Síða 66
... viewing is occur- ring within the story itself , the observation the viewer undertakes via the camera is duplicated , if not made strangely or comically irrele- vant , by the viewing act undertaken by Marty 2 , as if all the viewing ...
... viewing is occur- ring within the story itself , the observation the viewer undertakes via the camera is duplicated , if not made strangely or comically irrele- vant , by the viewing act undertaken by Marty 2 , as if all the viewing ...
Síða 71
... viewer and film relate to one another , we need a much more sup- ple model of the subjectivity of viewing than one which would treat the popular film as a text to be either viewed or read by a subject , and its ideological content or ...
... viewer and film relate to one another , we need a much more sup- ple model of the subjectivity of viewing than one which would treat the popular film as a text to be either viewed or read by a subject , and its ideological content or ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
6 aðrir hlutar ekki sýndir
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Common terms and phrases
Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York