Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28,Útgáfur 2-3Indiana University Press, 2006 |
From inside the book
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Síða 4
... transvaluation ” models a critical practice that is historically rooted , theoretically inventive , and aimed at effecting radical transformations in language , discourse , and prac- tices of everyday life . Applying pressure to ...
... transvaluation ” models a critical practice that is historically rooted , theoretically inventive , and aimed at effecting radical transformations in language , discourse , and prac- tices of everyday life . Applying pressure to ...
Síða 7
... Transvaluation of " life " has been crucial to the emergence of contemporary social forms , as recent scholarship on the concept's genealogies has begun to show.1 Like other reproductive technologies such as photography and gramophony ...
... Transvaluation of " life " has been crucial to the emergence of contemporary social forms , as recent scholarship on the concept's genealogies has begun to show.1 Like other reproductive technologies such as photography and gramophony ...
Síða 24
... transvalue the concept of life differently . Derrida does so by reworking death through the ghost . Since death ... transvaluation takes the form of a call for the affirmation of a new con- cept of life . This is not to say that a ...
... transvalue the concept of life differently . Derrida does so by reworking death through the ghost . Since death ... transvaluation takes the form of a call for the affirmation of a new con- cept of life . This is not to say that a ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York