Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28,Útgáfur 2-3Indiana University Press, 2006 |
From inside the book
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Síða 13
... tion between writing and speech , using the various “ graphies ” alien to the voice to show that writing need not be opposed or subordi- nated to speech , but can be related to other orders entirely . Derrida's deconstruction of the ...
... tion between writing and speech , using the various “ graphies ” alien to the voice to show that writing need not be opposed or subordi- nated to speech , but can be related to other orders entirely . Derrida's deconstruction of the ...
Síða 49
... tion animated by impulses , the primal sources of which are confused with those of irrationalism , which , in turn , are those of poetry . At times these characters react enigmatically , inasfar as a pathological psychic complex can be ...
... tion animated by impulses , the primal sources of which are confused with those of irrationalism , which , in turn , are those of poetry . At times these characters react enigmatically , inasfar as a pathological psychic complex can be ...
Síða 64
... tion of " their " family . Precisely what makes this film comic is also what makes it profitably difficult for theoretical analysis : the fact that the viewing act itself , despite its easiness , is not simple or sin- gular , but always ...
... tion of " their " family . Precisely what makes this film comic is also what makes it profitably difficult for theoretical analysis : the fact that the viewing act itself , despite its easiness , is not simple or sin- gular , but always ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York