Discourse, Bindi 28,Útgáfur 2-32006 |
From inside the book
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Síða 86
... suffering in real life , but find ourselves inevitably attracted by the spectacle of suffering when it is " shifted onto the stage or book . " 21 Why do we take pleasure in the tragedy of others ? Sōseki suspects that the answers to ...
... suffering in real life , but find ourselves inevitably attracted by the spectacle of suffering when it is " shifted onto the stage or book . " 21 Why do we take pleasure in the tragedy of others ? Sōseki suspects that the answers to ...
Síða 87
... suffer . Suffering is nothing more than suffering . . . Suffering is the proof that we are alive , what liberates us from the life of a “ standing stone , a fixedness without a place , no time , no night , no day . " 24 In the last ...
... suffer . Suffering is nothing more than suffering . . . Suffering is the proof that we are alive , what liberates us from the life of a “ standing stone , a fixedness without a place , no time , no night , no day . " 24 In the last ...
Síða 89
... suffering that comes from what appears to be a terrifying experience of potential loss , then , is a preparation for self - actualization . As such , in the conceptual appa- ratus that is Bungakuron , suffering must be a temporary ...
... suffering that comes from what appears to be a terrifying experience of potential loss , then , is a preparation for self - actualization . As such , in the conceptual appa- ratus that is Bungakuron , suffering must be a temporary ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
6 aðrir hlutar ekki sýndir
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York