Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28,Útgáfur 2-3Indiana University Press, 2006 |
From inside the book
Niðurstöður 1 - 3 af 34
Síða 135
... story is in part the private story of a father and son , it unfolds within the most explicitly social and historical setting of the 20th century : the Nazi holocaust . Guido has assigned himself the task of enabling his son's physical ...
... story is in part the private story of a father and son , it unfolds within the most explicitly social and historical setting of the 20th century : the Nazi holocaust . Guido has assigned himself the task of enabling his son's physical ...
Síða 145
... story is actually introduced to us by an adult Giosuè , narrating over the image of his father carrying him through the mist towards the mountain of corpses in the camp , and saying that in this story , " [ l ] ike a fable , there is ...
... story is actually introduced to us by an adult Giosuè , narrating over the image of his father carrying him through the mist towards the mountain of corpses in the camp , and saying that in this story , " [ l ] ike a fable , there is ...
Síða 151
... story within the frame- work of a constant present . Thus , both stories end with a begin- ning and thus preserve risk as a constitutive component of magic . This experience of risk can certainly give rise to the tempta- tion to ...
... story within the frame- work of a constant present . Thus , both stories end with a begin- ning and thus preserve risk as a constitutive component of magic . This experience of risk can certainly give rise to the tempta- tion to ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
6 aðrir hlutar ekki sýndir
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York