Discourse, Bindi 28,Útgáfur 2-32006 |
From inside the book
Niðurstöður 1 - 3 af 26
Síða 32
... spectators ' attention in the manner , say , of old- fashioned scientific demonstration , spectators do , I think , widely intuit that their own responses to these films are in some sense their object.11 Kubelka called Arnulf Rainer a ...
... spectators ' attention in the manner , say , of old- fashioned scientific demonstration , spectators do , I think , widely intuit that their own responses to these films are in some sense their object.11 Kubelka called Arnulf Rainer a ...
Síða 42
... spectators ' senses than any of the others . The same halting , forward - reverse- forward movement is there , charging every gesture with an over- whelming sexual energy , but in this film , an entirely different kind of movement is ...
... spectators ' senses than any of the others . The same halting , forward - reverse- forward movement is there , charging every gesture with an over- whelming sexual energy , but in this film , an entirely different kind of movement is ...
Síða 85
... spectators rather than internalized as a property of the [ one ] reader . In a sense , we ( readers of Bungakuron ) become the reader of the spectator's emo- tions . Though we are never sure who or what , in the final deter- mination ...
... spectators rather than internalized as a property of the [ one ] reader . In a sense , we ( readers of Bungakuron ) become the reader of the spectator's emo- tions . Though we are never sure who or what , in the final deter- mination ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
6 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York