Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28,Útgáfur 2-3Indiana University Press, 2006 |
From inside the book
Niðurstöður 1 - 3 af 37
Síða 36
... social and institutional circumstances of avant - garde film production and distribution have historically been such that avant - garde film offers viewers no socially productive place of resist- ance to its aesthetic values . By and ...
... social and institutional circumstances of avant - garde film production and distribution have historically been such that avant - garde film offers viewers no socially productive place of resist- ance to its aesthetic values . By and ...
Síða 105
... social or personal trauma that generates “ han , " it passes on in the collective memory and con- sciousness of Korean people , by the recounting of such hardships inflicted upon the people either by individual oral transmission or ...
... social or personal trauma that generates “ han , " it passes on in the collective memory and con- sciousness of Korean people , by the recounting of such hardships inflicted upon the people either by individual oral transmission or ...
Síða 156
... social and political field , to erase differences altogether . Indeed , the turn to the body has been occasioned by a renewed faith in particularity that often eschews the large claims of " theory . " Yet rejecting gen- eral principles ...
... social and political field , to erase differences altogether . Indeed , the turn to the body has been occasioned by a renewed faith in particularity that often eschews the large claims of " theory . " Yet rejecting gen- eral principles ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
6 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York