Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28,Útgáfur 2-3Indiana University Press, 2006 |
From inside the book
Niðurstöður 1 - 3 af 28
Síða 202
... representation " and Vorstellung , however , does not sufficiently emphasise , though it is crucial to Heidegger's ... representation " : If we follow Heidegger , the Greek world did not have a relation to what- is as to a ...
... representation " and Vorstellung , however , does not sufficiently emphasise , though it is crucial to Heidegger's ... representation " : If we follow Heidegger , the Greek world did not have a relation to what- is as to a ...
Síða 204
... representation or , perhaps , outside the frame of the ( world ) picture . Metaphysics , in Heidegger's positive sense and by contrast with what passes in modernity as metaphysics , is ontological thinking : an untimely thinking , a ...
... representation or , perhaps , outside the frame of the ( world ) picture . Metaphysics , in Heidegger's positive sense and by contrast with what passes in modernity as metaphysics , is ontological thinking : an untimely thinking , a ...
Síða 206
... representation follow upon these renvois . As soon as there are renvois , and it is always already , something like representation no longer waits and we must perhaps arrange to tell this story differently , from renvois of renvois to ...
... representation follow upon these renvois . As soon as there are renvois , and it is always already , something like representation no longer waits and we must perhaps arrange to tell this story differently , from renvois of renvois to ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York