Discourse, Bindi 28,Útgáfur 2-32006 |
From inside the book
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Síða 206
... renvois ) , that is to say , does not begin ; and once this breaking open or this partition divides , from the very start , every renvoi , there is not a single renvoi but from then on , always , a multiplicity of renvois , so many ...
... renvois ) , that is to say , does not begin ; and once this breaking open or this partition divides , from the very start , every renvoi , there is not a single renvoi but from then on , always , a multiplicity of renvois , so many ...
Síða 207
still only questioning , say " these renvois " —for Levinas , is / are the key to the critique of the simple ... renvoi as follows : The tool is always “ in view of ” [ en vue de ] something , because it is not a separate entity , but ...
still only questioning , say " these renvois " —for Levinas , is / are the key to the critique of the simple ... renvoi as follows : The tool is always “ in view of ” [ en vue de ] something , because it is not a separate entity , but ...
Síða 208
... [ renvoi à ce en vue de quoi l'ustensile est ] , is achieved . It awakens , stands out , comes to light . And we are turned ... ( renvois ) , it loses its character ( of being " lost " within that system ) , so to become " a simple presence ...
... [ renvoi à ce en vue de quoi l'ustensile est ] , is achieved . It awakens , stands out , comes to light . And we are turned ... ( renvois ) , it loses its character ( of being " lost " within that system ) , so to become " a simple presence ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
6 aðrir hlutar ekki sýndir
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York