Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28,Útgáfur 2-3Indiana University Press, 2006 |
From inside the book
Niðurstöður 1 - 3 af 53
Síða 68
... question : how do we know that the two Martys , and the two scenes in which they appear , are different ? An initial , formalistic answer to this apparently frivolous question would be that the two Martys and the two scenes are ...
... question : how do we know that the two Martys , and the two scenes in which they appear , are different ? An initial , formalistic answer to this apparently frivolous question would be that the two Martys and the two scenes are ...
Síða 69
... question must be prima- rily psychological , not formal , although not therefore a question of identification or cathexis : we know this is the same scene before us , and the same Marty , because , by whatever means , we recognize the ...
... question must be prima- rily psychological , not formal , although not therefore a question of identification or cathexis : we know this is the same scene before us , and the same Marty , because , by whatever means , we recognize the ...
Síða 232
... question of the animal is thus ultimately " not posthumanist " for the simple reason that if it really were , it ... question “ what is human ? " needs to be found in the question itself . To be human means to ask the question of ...
... question of the animal is thus ultimately " not posthumanist " for the simple reason that if it really were , it ... question “ what is human ? " needs to be found in the question itself . To be human means to ask the question of ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York