Discourse, Bindi 28,Útgáfur 2-32006 |
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Niðurstöður 1 - 3 af 33
Síða 45
... production , distribution , and exhibition , each is also inscribed with the conscious and unconscious memories , desires , and aspirations of the other . The diversity and inter - disciplinarity that characterizes con- temporary film ...
... production , distribution , and exhibition , each is also inscribed with the conscious and unconscious memories , desires , and aspirations of the other . The diversity and inter - disciplinarity that characterizes con- temporary film ...
Síða 64
... production , from plot to actor to genre to corporate backer , is available to watch the film produce itself , and to invite its audi- ence along for the view , precisely to enjoy the critical disintegration of the " symptomatic ...
... production , from plot to actor to genre to corporate backer , is available to watch the film produce itself , and to invite its audi- ence along for the view , precisely to enjoy the critical disintegration of the " symptomatic ...
Síða 76
... production , " and that " every film is thus an allegory of a cinema " ( Alle- gories of Cinema : American Film in the Sixties [ Princeton , NJ : Princeton University Press , 1989 ] , 5 , 12 ) . Unsurprisingly , I focus less than James ...
... production , " and that " every film is thus an allegory of a cinema " ( Alle- gories of Cinema : American Film in the Sixties [ Princeton , NJ : Princeton University Press , 1989 ] , 5 , 12 ) . Unsurprisingly , I focus less than James ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
6 aðrir hlutar ekki sýndir
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York