Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28,Útgáfur 2-3Indiana University Press, 2006 |
From inside the book
Niðurstöður 1 - 3 af 32
Síða 14
... present . If to be haunted is “ to remember what one has never lived in the present , " it is not a mere trick of memory . At the time of the haunting the ghost takes a form other than that of pres- ence , but the ghost is not whatever ...
... present . If to be haunted is “ to remember what one has never lived in the present , " it is not a mere trick of memory . At the time of the haunting the ghost takes a form other than that of pres- ence , but the ghost is not whatever ...
Síða 16
... presents as a living present . The seeming origin of the scene is itself complex and composed . Thus the notion of life shifts from a natural , obvious notion to a constructed , derived one . Der- rida's account of seeing the film in ...
... presents as a living present . The seeming origin of the scene is itself complex and composed . Thus the notion of life shifts from a natural , obvious notion to a constructed , derived one . Der- rida's account of seeing the film in ...
Síða 17
... present and cinematic reception conjures ghosts , deconstruction can be seen to be at work in film . The present , even or especially the living present , can no longer be understood as the self - identical source , the original whose ...
... present and cinematic reception conjures ghosts , deconstruction can be seen to be at work in film . The present , even or especially the living present , can no longer be understood as the self - identical source , the original whose ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
6 aðrir hlutar ekki sýndir
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Common terms and phrases
Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York