Discourse, Bindi 28,Útgáfur 2-32006 |
From inside the book
Niðurstöður 1 - 3 af 12
Síða 203
... picture : world picture , when understood essentially , does not mean a picture of the world but the world conceived and grasped as picture . What is , in its entirety , is now taken in such a way that it first is in being and only is ...
... picture : world picture , when understood essentially , does not mean a picture of the world but the world conceived and grasped as picture . What is , in its entirety , is now taken in such a way that it first is in being and only is ...
Síða 219
... picture . In this case , all the cultural disciplines could do would be to repeat the condition of their own event : ceaselessly picturing pictures . For example , cultural studies continues to investigate the veracity or otherwise of ...
... picture . In this case , all the cultural disciplines could do would be to repeat the condition of their own event : ceaselessly picturing pictures . For example , cultural studies continues to investigate the veracity or otherwise of ...
Síða 221
... picture within those lim- its . But at the same time , we owe it to ourselves that , at least from time to time , we should stop - not for a moment , but seriously stop - and reflect on these limits and wonder whether we can begin to ...
... picture within those lim- its . But at the same time , we owe it to ourselves that , at least from time to time , we should stop - not for a moment , but seriously stop - and reflect on these limits and wonder whether we can begin to ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
6 aðrir hlutar ekki sýndir
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Common terms and phrases
Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York