Discourse, Bindi 28,Útgáfur 2-32006 |
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Niðurstöður 1 - 3 af 47
Síða 38
... particular , shares some of the attributes of unconscious thought processes.30 More broadly , then , Surrealist thinking on cine- ma can be seen to be moving in two directions : the first towards a psychoanalytic account of all cinema ...
... particular , shares some of the attributes of unconscious thought processes.30 More broadly , then , Surrealist thinking on cine- ma can be seen to be moving in two directions : the first towards a psychoanalytic account of all cinema ...
Síða 148
... particular dog Malacara was not the point ( see Fig . 15 ) . This seems peculiar since the entire tale seems , on its surface , to be structured around the search for and retrieval of that particular dog . However , the fact that the ...
... particular dog Malacara was not the point ( see Fig . 15 ) . This seems peculiar since the entire tale seems , on its surface , to be structured around the search for and retrieval of that particular dog . However , the fact that the ...
Síða 156
... particular might be held in perpetual tension without either finally coming to absorb the other . If " social death " names an ontological deprivation that attends the lives of racial and sexual minorities , there is no reason why these ...
... particular might be held in perpetual tension without either finally coming to absorb the other . If " social death " names an ontological deprivation that attends the lives of racial and sexual minorities , there is no reason why these ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York