Discourse, Bindi 28,Útgáfur 2-32006 |
From inside the book
Niðurstöður 1 - 3 af 43
Síða 76
... object , as compared to the more obviously sen- suous attachments that originate and undergird any possible later erotic identifica- tion with that object — as it were , a measure of the visual ( or auditory ) object's degree of ...
... object , as compared to the more obviously sen- suous attachments that originate and undergird any possible later erotic identifica- tion with that object — as it were , a measure of the visual ( or auditory ) object's degree of ...
Síða 109
... object of identification . In the decolonization movement , nativism and identity politics shift the object of identification towards the self .... To break away from the frame of colonial identification , a decolonization movement has ...
... object of identification . In the decolonization movement , nativism and identity politics shift the object of identification towards the self .... To break away from the frame of colonial identification , a decolonization movement has ...
Síða 120
... object.2 27 For Piper , the self - conscious act of becoming - object involved negotiating the contradictions of value embedded in the tension between seeing oneself and being seen , private and public , inner and outer . It also meant ...
... object.2 27 For Piper , the self - conscious act of becoming - object involved negotiating the contradictions of value embedded in the tension between seeing oneself and being seen , private and public , inner and outer . It also meant ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
6 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York