Discourse, Bindi 28,Útgáfur 2-32006 |
From inside the book
Niðurstöður 1 - 3 af 35
Síða 14
... never lived in the present , to remember what , in essence , has never had the form of a pres- ence . Film is a ' phantomachia . ' Let the ghosts come back . Film plus psy- choanalysis equals a science of ghosts . Modern technology ...
... never lived in the present , to remember what , in essence , has never had the form of a pres- ence . Film is a ' phantomachia . ' Let the ghosts come back . Film plus psy- choanalysis equals a science of ghosts . Modern technology ...
Síða 157
... never any becoming specter of the spirit without at least an appearance of flesh .... For there to be a ghost , there must be a return to a body , but to a body that is more abstract than ever " ( 202 ) . Although the possibility of the ...
... never any becoming specter of the spirit without at least an appearance of flesh .... For there to be a ghost , there must be a return to a body , but to a body that is more abstract than ever " ( 202 ) . Although the possibility of the ...
Síða 215
... never not ordering or calculation : for example the first writings in the cuneiform of the Sumerians ( which ... never not an " impure " or " contaminated " revealing . If there are never not renvois , then there is never “ pure ” techné ...
... never not ordering or calculation : for example the first writings in the cuneiform of the Sumerians ( which ... never not an " impure " or " contaminated " revealing . If there are never not renvois , then there is never “ pure ” techné ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
6 aðrir hlutar ekki sýndir
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Common terms and phrases
Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York