Discourse, Bindi 28,Útgáfur 2-32006 |
From inside the book
Niðurstöður 1 - 3 af 34
Síða 35
... narrative tech- niques for communicating the mental activities of dreaming and daydreaming , of hallucination and fantasy , and ordinary remem- bering . That genre of early filmmaking that Georges Méliès dubbed " fantastic views ...
... narrative tech- niques for communicating the mental activities of dreaming and daydreaming , of hallucination and fantasy , and ordinary remem- bering . That genre of early filmmaking that Georges Méliès dubbed " fantastic views ...
Síða 39
Buñuel's terms , by constructing a narrative which , on the one hand , patently doesn't obey the usual rules of narrative causality and continuity and , on the other , takes spectators into a narrative world in which disturbing ...
Buñuel's terms , by constructing a narrative which , on the one hand , patently doesn't obey the usual rules of narrative causality and continuity and , on the other , takes spectators into a narrative world in which disturbing ...
Síða 41
... narrative . Arnold's films not only play with the idea that classical Hollywood cinema requires gesture to be articulated in ways that make its narrative significance obvious , but also that the forward progression of narrative , its ...
... narrative . Arnold's films not only play with the idea that classical Hollywood cinema requires gesture to be articulated in ways that make its narrative significance obvious , but also that the forward progression of narrative , its ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
6 aðrir hlutar ekki sýndir
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York