Discourse, Bindi 28,Útgáfur 2-32006 |
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Síða 10
... movement and speech , that is to say life . That day — and it will be tomorrow - science will have given us an absolute illusion of life . Why not life itself ? --Le Magasin Pittoresque , March 1895.8 The anonymous author of this ...
... movement and speech , that is to say life . That day — and it will be tomorrow - science will have given us an absolute illusion of life . Why not life itself ? --Le Magasin Pittoresque , March 1895.8 The anonymous author of this ...
Síða 20
... movement as continuous and indivisible , and our conditioned perception of space as divisible into an infinity of points . While our senses , “ left to themselves , present to us the real movement , between two real halts , as a solid ...
... movement as continuous and indivisible , and our conditioned perception of space as divisible into an infinity of points . While our senses , “ left to themselves , present to us the real movement , between two real halts , as a solid ...
Síða 21
... movements from the world . Inorganic compo- sitions eccentrically assemble movement - images according to mechanical , elemental or material principals . Deleuze treats both types of composition as living , the former biologically and ...
... movements from the world . Inorganic compo- sitions eccentrically assemble movement - images according to mechanical , elemental or material principals . Deleuze treats both types of composition as living , the former biologically and ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
6 aðrir hlutar ekki sýndir
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York