Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28,Útgáfur 2-3Indiana University Press, 2006 |
From inside the book
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Síða 213
... modern technologies , and not for technology as such , " in its essence . " He expresses his distaste for the hydroelectric plant - Levinas , above , notwithstanding - but not for the fishing hook and , at the same time , argues that ...
... modern technologies , and not for technology as such , " in its essence . " He expresses his distaste for the hydroelectric plant - Levinas , above , notwithstanding - but not for the fishing hook and , at the same time , argues that ...
Síða 223
... modern subjectivism in the Greeks . The 15th section of the lecture on " The Dominance of the Subject in the Modern Age " ( N4 96-101 ) is a useful adjunct to the discussion of the sub - iectum in " The Age of the World Picture . " 13 ...
... modern subjectivism in the Greeks . The 15th section of the lecture on " The Dominance of the Subject in the Modern Age " ( N4 96-101 ) is a useful adjunct to the discussion of the sub - iectum in " The Age of the World Picture . " 13 ...
Síða 234
... modern Japan- ese literature and aesthetics , postwar intellectual history , and pop- ular culture . His research interests include the novel in compara- tive perspective , critical theory , and sexuality studies . He has published ...
... modern Japan- ese literature and aesthetics , postwar intellectual history , and pop- ular culture . His research interests include the novel in compara- tive perspective , critical theory , and sexuality studies . He has published ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York