Discourse, Bindi 28,Útgáfur 2-32006 |
From inside the book
Niðurstöður 1 - 3 af 33
Síða 20
... matter . Deleuze cites the fourth chapter of Bergson's Matter and Mem- ory as the source for these examples . In that chapter Bergson defines the project of his book as the resolution of the " problem ... of the union of soul and body ...
... matter . Deleuze cites the fourth chapter of Bergson's Matter and Mem- ory as the source for these examples . In that chapter Bergson defines the project of his book as the resolution of the " problem ... of the union of soul and body ...
Síða 164
... Matter , there would appear to be many people who fear this nihilistic conclu- sion . And it is precisely the hysteria spawned by this terrifying prospect that this argument seems compelled to assuage . The sub- text of this argument ...
... Matter , there would appear to be many people who fear this nihilistic conclu- sion . And it is precisely the hysteria spawned by this terrifying prospect that this argument seems compelled to assuage . The sub- text of this argument ...
Síða 169
... Matter is extremely “ felicitous " ( 279 ) . The title achieves this felicity by con- taining " matter " within the multiple valences of materialization , signification , intelligibility , and legitimacy . If the title seeks to rep ...
... Matter is extremely “ felicitous " ( 279 ) . The title achieves this felicity by con- taining " matter " within the multiple valences of materialization , signification , intelligibility , and legitimacy . If the title seeks to rep ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York