Discourse, Bindi 28,Útgáfur 2-32006 |
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Niðurstöður 1 - 3 af 33
Síða 92
... language education that was ambivalent about the encroaching influence of the West , even as it promoted Western ideas and models of educa- tion . Teaching English literature at a university in Meiji Japan meant following the nineteenth ...
... language education that was ambivalent about the encroaching influence of the West , even as it promoted Western ideas and models of educa- tion . Teaching English literature at a university in Meiji Japan meant following the nineteenth ...
Síða 163
... language , the text asserts quite clearly that materiality cannot be " collapsed into an identity with language " ( 68 ) . The passage continues : Language and materiality are fully embedded in one another , chiasmic in their ...
... language , the text asserts quite clearly that materiality cannot be " collapsed into an identity with language " ( 68 ) . The passage continues : Language and materiality are fully embedded in one another , chiasmic in their ...
Síða 164
... language was absorbed into materiality such that bodies became nothing but material stuff without ideal- ity , indeed , without any discursive life ? That such a question is not even on the horizon confirms that this argument concerning ...
... language was absorbed into materiality such that bodies became nothing but material stuff without ideal- ity , indeed , without any discursive life ? That such a question is not even on the horizon confirms that this argument concerning ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
6 aðrir hlutar ekki sýndir
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York