Discourse, Bindi 28,Útgáfur 2-32006 |
From inside the book
Niðurstöður 1 - 3 af 28
Síða 72
... identity and difference is , as Gilles Deleuze shows us in detail , essentially mobile : “ the mobile camera is like a general equivalent of all the means of locomotion that it shows or that it makes use of ― aeroplane , car , boat ...
... identity and difference is , as Gilles Deleuze shows us in detail , essentially mobile : “ the mobile camera is like a general equivalent of all the means of locomotion that it shows or that it makes use of ― aeroplane , car , boat ...
Síða 109
... identity and to survive the formidable influence of global cultural imperialism coming from the West . What Kuan - Hsing Chen observes about rebuilding self - identity for decolonized subjects can be applied effectively to explain the ...
... identity and to survive the formidable influence of global cultural imperialism coming from the West . What Kuan - Hsing Chen observes about rebuilding self - identity for decolonized subjects can be applied effectively to explain the ...
Síða 226
... identity in the 1990s . The author borrows her title from Michel Foucault's influential The Order of Things , a history of the way knowledge is structured and produced , and carries out a similar analysis of contemporary racial politics ...
... identity in the 1990s . The author borrows her title from Michel Foucault's influential The Order of Things , a history of the way knowledge is structured and produced , and carries out a similar analysis of contemporary racial politics ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York