Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28,Útgáfur 2-3Indiana University Press, 2006 |
From inside the book
Niðurstöður 1 - 3 af 19
Síða 13
... ghosts . After Ghost Dance , Der- rida worked on two other movies , Safaa Fafay's D'aillures Derrida ( 1999 ) and Amy Zerring Kofman and Kirby Dick's Derrida ( 2002 ) . All three of them transvalue the terms life and death . The cinema ...
... ghosts . After Ghost Dance , Der- rida worked on two other movies , Safaa Fafay's D'aillures Derrida ( 1999 ) and Amy Zerring Kofman and Kirby Dick's Derrida ( 2002 ) . All three of them transvalue the terms life and death . The cinema ...
Síða 14
... ghost takes a form other than that of pres- ence , but the ghost is not whatever can remain of some one's pres- ence after they have departed , the ghost is the memory of what has never had the form of presence . This suggests that ...
... ghost takes a form other than that of pres- ence , but the ghost is not whatever can remain of some one's pres- ence after they have departed , the ghost is the memory of what has never had the form of presence . This suggests that ...
Síða 16
... ghosts " as an utter- ance by a ghost , not an utterance by a dead person to whom life has been restored . This exposes the difference between Derrida's experience of Orgier's cinematic ghost and images of the dead imagined by the ...
... ghosts " as an utter- ance by a ghost , not an utterance by a dead person to whom life has been restored . This exposes the difference between Derrida's experience of Orgier's cinematic ghost and images of the dead imagined by the ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
6 aðrir hlutar ekki sýndir
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Common terms and phrases
Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York