Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28,Útgáfur 2-3Indiana University Press, 2006 |
From inside the book
Niðurstöður 1 - 3 af 9
Síða 155
... finitude ( 166 ) . Such a dialec- tical view of the relation between life and death , however , opposes itself to the spectral , which is neither present nor absent . But per- haps Holland's caricature is to be expected , for as Derrida ...
... finitude ( 166 ) . Such a dialec- tical view of the relation between life and death , however , opposes itself to the spectral , which is neither present nor absent . But per- haps Holland's caricature is to be expected , for as Derrida ...
Síða 172
... finitude , its spectrality , is inherent . As Freud puts it , however , “ at bottom no one believes in his own death ... finitude so largely absent from Butler's earlier work , her tendency to reduce finitude to the problem of ...
... finitude , its spectrality , is inherent . As Freud puts it , however , “ at bottom no one believes in his own death ... finitude so largely absent from Butler's earlier work , her tendency to reduce finitude to the problem of ...
Síða 209
... finitude such that , for example , ( 5 ) the working tool or arriving letter is more essentially lost than that which fails to work or arrive ( and which , by contrast , then takes on the secondary onto- logical status of the present ...
... finitude such that , for example , ( 5 ) the working tool or arriving letter is more essentially lost than that which fails to work or arrive ( and which , by contrast , then takes on the secondary onto- logical status of the present ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York