Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28,Útgáfur 2-3Indiana University Press, 2006 |
From inside the book
Niðurstöður 1 - 3 af 22
Síða 35
... filmmaker like Arnold , the ghost in the machine has to be looked for in the institutional codes and conventions governing cinematic language . For other filmmakers , who have been more concerned with simply giving visual form to occult ...
... filmmaker like Arnold , the ghost in the machine has to be looked for in the institutional codes and conventions governing cinematic language . For other filmmakers , who have been more concerned with simply giving visual form to occult ...
Síða 37
... filmmakers such as Arnold , Tscherkassky , and the American filmmaker , Bill Morrison , all point to changes in the way avant - garde film is being watched and engaged with in the contemporary context . Paul Arthur points out that " [ w ] ...
... filmmakers such as Arnold , Tscherkassky , and the American filmmaker , Bill Morrison , all point to changes in the way avant - garde film is being watched and engaged with in the contemporary context . Paul Arthur points out that " [ w ] ...
Síða 99
... filmmakers many of whom were educated in Western countries and / or were actively responsive to the changing social conditions . These filmmakers include Ann Hui , Alex Cheung , Tsui Hark , and John Woo , among many others . This new ...
... filmmakers many of whom were educated in Western countries and / or were actively responsive to the changing social conditions . These filmmakers include Ann Hui , Alex Cheung , Tsui Hark , and John Woo , among many others . This new ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
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Common terms and phrases
Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York