Discourse, Bindi 28,Útgáfur 2-32006 |
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Niðurstöður 1 - 3 af 41
Síða 12
... figure the cinematograph as a treatment for death , a technology capable of pre- serving the beloved as in life . The concepts of " life " and " death " change very little , almost11 not at all . Cinema operates within the clas- sically ...
... figure the cinematograph as a treatment for death , a technology capable of pre- serving the beloved as in life . The concepts of " life " and " death " change very little , almost11 not at all . Cinema operates within the clas- sically ...
Síða 81
... figures of thought , certain figurations of “ inhibition , " " mastery , " and " subservience . " By exploring these ... figure of the masochist breaks the surface calm of Sōseki's theoretical reflections - how it aids , obstructs , and ...
... figures of thought , certain figurations of “ inhibition , " " mastery , " and " subservience . " By exploring these ... figure of the masochist breaks the surface calm of Sōseki's theoretical reflections - how it aids , obstructs , and ...
Síða 90
... figure serves as that which abets the positive evaluations of suffering . As such , masochism is internal to ... figure of the masochist proves to be a " special " case . As one who dwells in the pleasure of pain , the figure compels ...
... figure serves as that which abets the positive evaluations of suffering . As such , masochism is internal to ... figure of the masochist proves to be a " special " case . As one who dwells in the pleasure of pain , the figure compels ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
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Common terms and phrases
Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York