Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28,Útgáfur 2-3Indiana University Press, 2006 |
From inside the book
Niðurstöður 1 - 3 af 35
Síða 30
... essay approaches this question through an investigation of these films ' special effects , arguing that they com- municate in ways that sneak under spectators ' conscious wrestling with these films ' high degree of indeterminacy , to ...
... essay approaches this question through an investigation of these films ' special effects , arguing that they com- municate in ways that sneak under spectators ' conscious wrestling with these films ' high degree of indeterminacy , to ...
Síða 152
... essay we believe that dynamics we describe derive from the parallels of the two narratives as narratives and are thus capable of existing across mediums . 5 Over the course of this essay we will emphasize that the sort of magic here ...
... essay we believe that dynamics we describe derive from the parallels of the two narratives as narratives and are thus capable of existing across mediums . 5 Over the course of this essay we will emphasize that the sort of magic here ...
Síða 196
... essay analyzes . 16 Gilles Deleuze and Félix Guattari , Anti - Oedipus : Capitalism and Schizophrenia , trans . Robert Hurley , Mark Seem , and Helen R. Lane ( Minneapolis : University of Minnesota Press , 1983 ) , 5 . 17 Gilles Deleuze ...
... essay analyzes . 16 Gilles Deleuze and Félix Guattari , Anti - Oedipus : Capitalism and Schizophrenia , trans . Robert Hurley , Mark Seem , and Helen R. Lane ( Minneapolis : University of Minnesota Press , 1983 ) , 5 . 17 Gilles Deleuze ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
6 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York