Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28,Útgáfur 2-3Indiana University Press, 2006 |
From inside the book
Niðurstöður 1 - 3 af 38
Síða 182
... desire and how one relates it to the question of cultural politics . If desire is constructed or at least informed by discursive systems of power ( and in the case of the " rice and potato " by capitalist , colonialist , neo ...
... desire and how one relates it to the question of cultural politics . If desire is constructed or at least informed by discursive systems of power ( and in the case of the " rice and potato " by capitalist , colonialist , neo ...
Síða 183
... desire where one cannot politically question and critique instances or modes of desire ; rather what I am suggesting is that in our cri- tique we must also allow for a more expansive notion of desire as it flows , embracing ...
... desire where one cannot politically question and critique instances or modes of desire ; rather what I am suggesting is that in our cri- tique we must also allow for a more expansive notion of desire as it flows , embracing ...
Síða 190
... desire . The initial series of semi - erotic images of gay white men which Ayres uses to depict the world that these Asian men were shut out of is now sup- planted by another series of similar images featuring Asian men instead ...
... desire . The initial series of semi - erotic images of gay white men which Ayres uses to depict the world that these Asian men were shut out of is now sup- planted by another series of similar images featuring Asian men instead ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
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Common terms and phrases
Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York