Discourse, Bindi 28,Útgáfur 2-32006 |
From inside the book
Niðurstöður 1 - 3 af 19
Síða 44
... describes Outer Space as a collage film since every frame consists of multiple elements taken from both image and optical sound tracks.50 The visual and aural density of the film is heightened by the difficulty of determining , at least ...
... describes Outer Space as a collage film since every frame consists of multiple elements taken from both image and optical sound tracks.50 The visual and aural density of the film is heightened by the difficulty of determining , at least ...
Síða 125
... describes the dream of flight . I quote from her record- ings at length . I spring from the ground , executing high ... describes the perambulatory occasion of " pure sexual desire . " 56 What is also tremendous about the dream of flying ...
... describes the dream of flight . I quote from her record- ings at length . I spring from the ground , executing high ... describes the perambulatory occasion of " pure sexual desire . " 56 What is also tremendous about the dream of flying ...
Síða 172
... describes the unequal distribution of mortality / immortality more generally.36 If no one believes in his or her own death , then death always " happens " to others . As Heideg- ger observes , the recognition that " one dies ' spreads ...
... describes the unequal distribution of mortality / immortality more generally.36 If no one believes in his or her own death , then death always " happens " to others . As Heideg- ger observes , the recognition that " one dies ' spreads ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
6 aðrir hlutar ekki sýndir
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York