Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28,Útgáfur 2-3Indiana University Press, 2006 |
From inside the book
Niðurstöður 1 - 3 af 35
Síða 11
... death will cease to be absolute . -Le Poste , December 30 , 1895.11 The simple difference between film and photography , film's ability to photograph dear beings in movement , makes death less absolute . It is as if the absolute ...
... death will cease to be absolute . -Le Poste , December 30 , 1895.11 The simple difference between film and photography , film's ability to photograph dear beings in movement , makes death less absolute . It is as if the absolute ...
Síða 12
... death by captur- ing life . The categories of " life ” and “ death " alter subtly under the pressure of this anticipated change . According to these passages movement and speech are the life of the living and reproducing them can ...
... death by captur- ing life . The categories of " life ” and “ death " alter subtly under the pressure of this anticipated change . According to these passages movement and speech are the life of the living and reproducing them can ...
Síða 154
... Death and ( Black ) Subjectivity , “ bring- ing back the dead ( or saving the living from the shadow of death ) is the ultimate queer act . " 1 And in the introduction to her semi- nal , 1991 collection of essays on queer theory ...
... Death and ( Black ) Subjectivity , “ bring- ing back the dead ( or saving the living from the shadow of death ) is the ultimate queer act . " 1 And in the introduction to her semi- nal , 1991 collection of essays on queer theory ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York