Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28,Útgáfur 2-3Indiana University Press, 2006 |
From inside the book
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Síða 9
... Cinematographic Life In articles on the first European cinematograph projections , jour- nalists wrote about the technology as changing our experience of death , and opening the possibility for a new kind of afterlife , as is ...
... Cinematographic Life In articles on the first European cinematograph projections , jour- nalists wrote about the technology as changing our experience of death , and opening the possibility for a new kind of afterlife , as is ...
Síða 11
... cinematograph produces a portrait that is , at last , living , instead of the cold and languishing images that are never resemblances when they pretend to represent the mobile graces of certain beings . -Le Monde Illustré , January 25 ...
... cinematograph produces a portrait that is , at last , living , instead of the cold and languishing images that are never resemblances when they pretend to represent the mobile graces of certain beings . -Le Monde Illustré , January 25 ...
Síða 12
... cinematograph restores " a short instant of their past , " making them relive it . In a miraculous future , the " genius of man ” in the form of the cinematograph will go beyond the vital force itself in its ability to give life ...
... cinematograph restores " a short instant of their past , " making them relive it . In a miraculous future , the " genius of man ” in the form of the cinematograph will go beyond the vital force itself in its ability to give life ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
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Common terms and phrases
Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York