Discourse, Bindi 28,Útgáfur 2-32006 |
From inside the book
Niðurstöður 1 - 3 af 34
Síða 38
... character , driven hither and thither by dynamic forces , submit to a choice between simple alternatives , as our antiquated morality would have us believe . " 31 In contrast to Bergson who , in some of his own writing on dreams ...
... character , driven hither and thither by dynamic forces , submit to a choice between simple alternatives , as our antiquated morality would have us believe . " 31 In contrast to Bergson who , in some of his own writing on dreams ...
Síða 66
... character , never an explicit eye.24 But because , in this particular scene , a moment of self - viewing is occur- ring within the story itself , the observation the viewer undertakes via the camera is duplicated , if not made strangely ...
... character , never an explicit eye.24 But because , in this particular scene , a moment of self - viewing is occur- ring within the story itself , the observation the viewer undertakes via the camera is duplicated , if not made strangely ...
Síða 208
... character of being a tool , so to speak , in order to become , in a certain way , a simple presence . In this momentary loss of handlabil- ity , the " referral in view of which the tool exists " [ renvoi à ce en vue de quoi l'ustensile ...
... character of being a tool , so to speak , in order to become , in a certain way , a simple presence . In this momentary loss of handlabil- ity , the " referral in view of which the tool exists " [ renvoi à ce en vue de quoi l'ustensile ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
6 aðrir hlutar ekki sýndir
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York