Discourse, Bindi 28,Útgáfur 2-32006 |
From inside the book
Niðurstöður 1 - 3 af 21
Síða 87
... begin to recognize a submerged presence in our self - con-、 sciousness . Looking for this presence and realizing that there is nothing we can do , we begin to lose a sense of ourselves . Having lost ourselves , we continue to grope for ...
... begin to recognize a submerged presence in our self - con-、 sciousness . Looking for this presence and realizing that there is nothing we can do , we begin to lose a sense of ourselves . Having lost ourselves , we continue to grope for ...
Síða 172
... begin " with the precariousness of the other , but must commence at the intersection of a self and other who are never fully outside the orbit of one another . " 35 A return to ontology in Precarious Life is also legible in its ten ...
... begin " with the precariousness of the other , but must commence at the intersection of a self and other who are never fully outside the orbit of one another . " 35 A return to ontology in Precarious Life is also legible in its ten ...
Síða 221
... begin to think outside them . That reflection ( die Besinnung ) —and here the buck stops - would itself be an instance of metaphysics , though not necessarily of the dominant metaphysics of our age . The word that describes our ability ...
... begin to think outside them . That reflection ( die Besinnung ) —and here the buck stops - would itself be an instance of metaphysics , though not necessarily of the dominant metaphysics of our age . The word that describes our ability ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York