Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28,Útgáfur 2-3Indiana University Press, 2006 |
From inside the book
Niðurstöður 1 - 3 af 20
Síða 30
... avant - garde film spectatorship.5 What is it about these films , which on the one hand , exhibit the high degree of indeterminacy char- acteristic of so much avant - garde film , which spectators have found so accessible ? This essay ...
... avant - garde film spectatorship.5 What is it about these films , which on the one hand , exhibit the high degree of indeterminacy char- acteristic of so much avant - garde film , which spectators have found so accessible ? This essay ...
Síða 36
... avant - garde film spectatorship that is to say , the com- plex of emotions , ideas , and expectations that film viewers bring to this event - in terms of a receptivity to the idea that avant - garde films aspire to do something ...
... avant - garde film spectatorship that is to say , the com- plex of emotions , ideas , and expectations that film viewers bring to this event - in terms of a receptivity to the idea that avant - garde films aspire to do something ...
Síða 45
... avant - garde filmmaking . Most striking , are the rayo- graphs of spinning tacks , nails , and salt that add ... avant - garde tradition and practice into the dream - work of cinema make the point that it has historically been the ...
... avant - garde filmmaking . Most striking , are the rayo- graphs of spinning tacks , nails , and salt that add ... avant - garde tradition and practice into the dream - work of cinema make the point that it has historically been the ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
6 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York