Discourse, Bindi 28,Útgáfur 2-32006 |
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Niðurstöður 1 - 3 af 49
Síða 13
... appears on a list of things alien to the order of the voice that we nonetheless call writing , naming them with words ending with the suffix “ graphy . " That list appears as an illustration of the inflated use of " writing . " The ...
... appears on a list of things alien to the order of the voice that we nonetheless call writing , naming them with words ending with the suffix “ graphy . " That list appears as an illustration of the inflated use of " writing . " The ...
Síða 26
... appears in a film survives because we can still see him / her move in the world , according to Derrida , one who appears in a film sur- vives as a point from which the world can be seen , as a point from which there will have been a ...
... appears in a film survives because we can still see him / her move in the world , according to Derrida , one who appears in a film sur- vives as a point from which the world can be seen , as a point from which there will have been a ...
Síða 134
... appears to have met , at last , his match : a reality that he cannot transform . We have described two individuals faced with apparently impossible challenges . Yet they will both come to fulfill their tasks . We are interested in ...
... appears to have met , at last , his match : a reality that he cannot transform . We have described two individuals faced with apparently impossible challenges . Yet they will both come to fulfill their tasks . We are interested in ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
6 aðrir hlutar ekki sýndir
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Common terms and phrases
Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York