Discourse, Bindi 28,Útgáfur 2-32006 |
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Niðurstöður 1 - 3 af 25
Síða 20
... action of all the parts of the substance , necessarily express modifications , disturbances , changes of energy in the whole.30 In the first example , the relations between movements and the whole of the universe are figured in terms of ...
... action of all the parts of the substance , necessarily express modifications , disturbances , changes of energy in the whole.30 In the first example , the relations between movements and the whole of the universe are figured in terms of ...
Síða 21
... action image , " the whole of the film itself lives and breathes . [ It ] seems to be endowed with respiration . For it expands towards the milieu and contracts from the action . More precisely , it expands or con- tracts on either side ...
... action image , " the whole of the film itself lives and breathes . [ It ] seems to be endowed with respiration . For it expands towards the milieu and contracts from the action . More precisely , it expands or con- tracts on either side ...
Síða 227
... action movements such as Wash- ington's 1998 Initiative 200 campaign , they ironically ignored the historical influence affirmative action had on their positions and called attention away from the experiences of working class women of ...
... action movements such as Wash- ington's 1998 Initiative 200 campaign , they ironically ignored the historical influence affirmative action had on their positions and called attention away from the experiences of working class women of ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
6 aðrir hlutar ekki sýndir
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York