Discourse, Bindi 28,Útgáfur 2-32006 |
From inside the book
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Síða 203
... picture : world picture , when understood essentially , does not mean a picture of the world but the world conceived and grasped as picture . What is , in its entirety , is now taken in such a way that it first is in being and only is ...
... picture : world picture , when understood essentially , does not mean a picture of the world but the world conceived and grasped as picture . What is , in its entirety , is now taken in such a way that it first is in being and only is ...
Síða 221
All of this overtakes and has precedence over any version or vision of the world that we might want to picture within those lim- its . But at the same time , we owe it to ourselves that , at least from time to time , we should stop ...
All of this overtakes and has precedence over any version or vision of the world that we might want to picture within those lim- its . But at the same time , we owe it to ourselves that , at least from time to time , we should stop ...
Síða 223
... World Picture . " 13 In an extended footnote on the term das Wesen ( “ essence ” ) , the editor of the Nihilism lectures notes that “ Heidegger emphasized the verbal sense of wesen as ' governing ' or ' effecting , ' while retaining the ...
... World Picture . " 13 In an extended footnote on the term das Wesen ( “ essence ” ) , the editor of the Nihilism lectures notes that “ Heidegger emphasized the verbal sense of wesen as ' governing ' or ' effecting , ' while retaining the ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
6 aðrir hlutar ekki sýndir
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York