Discourse, Bindi 28,Útgáfur 2-32006 |
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Síða 117
II . Adrian Piper African - American artist and Kantian philosopher Adrian Piper is a crucial figure in the expression of performance and philosophy's foundational arrangement.12 In particular , her philosophically performative ...
II . Adrian Piper African - American artist and Kantian philosopher Adrian Piper is a crucial figure in the expression of performance and philosophy's foundational arrangement.12 In particular , her philosophically performative ...
Síða 122
... Piper's diary entries . Some- times , the MB would incorporate into his dialogue aspects of an exchange with an unsuspecting bystander . As the Mythic Being , Piper was allowed to do two things : ( 1 ) Self - consciously become her ...
... Piper's diary entries . Some- times , the MB would incorporate into his dialogue aspects of an exchange with an unsuspecting bystander . As the Mythic Being , Piper was allowed to do two things : ( 1 ) Self - consciously become her ...
Síða 124
portable , defensive surface that Piper experiments with the free- dom of being everywhere and nowhere at the same time . In other words , as Piper occupies Mythic Being , she can explore what it means to be all surface , all aggression ...
portable , defensive surface that Piper experiments with the free- dom of being everywhere and nowhere at the same time . In other words , as Piper occupies Mythic Being , she can explore what it means to be all surface , all aggression ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York