Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28,Útgáfur 2-3Indiana University Press, 2006 |
From inside the book
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Síða 172
... Levinas imagines a relation to alterity that escapes the Hegelian dialectic of “ mutual recognition " by posing the other as absolutely exterior to the same . Yet , this apparent move beyond Hegel ends up reinscribing a binary between ...
... Levinas imagines a relation to alterity that escapes the Hegelian dialectic of “ mutual recognition " by posing the other as absolutely exterior to the same . Yet , this apparent move beyond Hegel ends up reinscribing a binary between ...
Síða 204
... Levinas read Heidegger's early thinking ( in Being and Time ) as leading beyond representation ? We have already seen the seeds of this in the passage from Levinas quoted earlier : from the advent of modernity " the thinking substance ...
... Levinas read Heidegger's early thinking ( in Being and Time ) as leading beyond representation ? We have already seen the seeds of this in the passage from Levinas quoted earlier : from the advent of modernity " the thinking substance ...
Síða 207
... Levinas , is / are the key to the critique of the simple - presence - before - man that lies at the heart of deconstruction , including the deconstruction ( SOR 322 ) of the Heideggerian critique of representation in the “ Envoi . ” And ...
... Levinas , is / are the key to the critique of the simple - presence - before - man that lies at the heart of deconstruction , including the deconstruction ( SOR 322 ) of the Heideggerian critique of representation in the “ Envoi . ” And ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York