Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28,Útgáfur 2-3Indiana University Press, 2006 |
From inside the book
Niðurstöður 1 - 3 af 17
Síða 107
... Korean cultural history , one in which numerous social , political ... cinema , in fact can be understood as the site of a struggle manifested in ... Korean Cinema The significance of the “ Hong Kong Film Syndrome " in fact lies ...
... Korean cultural history , one in which numerous social , political ... cinema , in fact can be understood as the site of a struggle manifested in ... Korean Cinema The significance of the “ Hong Kong Film Syndrome " in fact lies ...
Síða 108
... cinema , it has always been Hollywood that wields such dominating power ... Korean film culture was so sensitive about the direct import of Hollywood ... Korean film audiences with an unattainable production standard , eventually ...
... cinema , it has always been Hollywood that wields such dominating power ... Korean film culture was so sensitive about the direct import of Hollywood ... Korean film audiences with an unattainable production standard , eventually ...
Síða 109
... Korean films especially since the early 1990s . In addition , the popularity of Hong Kong director Wong Kar - wai's ... cinema started to be appro- priated in Korean filmmaking , diversifying and revitalizing the Korean film ...
... Korean films especially since the early 1990s . In addition , the popularity of Hong Kong director Wong Kar - wai's ... cinema started to be appro- priated in Korean filmmaking , diversifying and revitalizing the Korean film ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York