Discourse, Bindi 28,Útgáfur 2-32006 |
From inside the book
Niðurstöður 1 - 3 af 19
Síða 105
... Korean literature and media . In contemporary Korean history , the Korean people's experi- ence of suffering persists as a deeply - ingrained sorrow not easily uprooted from the collective memory . Even after Korea estab- lished its own ...
... Korean literature and media . In contemporary Korean history , the Korean people's experi- ence of suffering persists as a deeply - ingrained sorrow not easily uprooted from the collective memory . Even after Korea estab- lished its own ...
Síða 106
... Korea . Two of the biggest pressures from the US on the Korean film industry at that time were the request to reduce the " screen quota " of domestic Korean theaters and to allow direct import of US films to Korea by US film companies ...
... Korea . Two of the biggest pressures from the US on the Korean film industry at that time were the request to reduce the " screen quota " of domestic Korean theaters and to allow direct import of US films to Korea by US film companies ...
Síða 112
... Korea is based on HyŎng - tak Hwang , Hanguk yõngsang sanŏplon ( On the Korean screen industry ) , ( Seoul : Nanam , 1995 ) , 87-92 . 8 These are films that were not released , mostly because they were deemed to lack commercial value ...
... Korea is based on HyŎng - tak Hwang , Hanguk yõngsang sanŏplon ( On the Korean screen industry ) , ( Seoul : Nanam , 1995 ) , 87-92 . 8 These are films that were not released , mostly because they were deemed to lack commercial value ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
6 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York