Discourse, Bindi 28,Útgáfur 2-32006 |
From inside the book
Niðurstöður 1 - 3 af 7
Síða 26
... Derrida , interview with Antoine De Baecque and Thierry Jousse , “ Jacques Derrida : Le cinéma et ses fantômes , " Cahiers du Cinéma , no . 556 ( April 2001 ) : 77 ( my translations ) . 20 Derrida and Steigler , 119 . 21 Maurice ...
... Derrida , interview with Antoine De Baecque and Thierry Jousse , “ Jacques Derrida : Le cinéma et ses fantômes , " Cahiers du Cinéma , no . 556 ( April 2001 ) : 77 ( my translations ) . 20 Derrida and Steigler , 119 . 21 Maurice ...
Síða 154
... Jacques Derrida calls spectrality , understood , in part , as an originary process of mourning that is the condition of all life , indeed , of any body . For Derrida , spectrality does not originate with one's social or biological death ...
... Jacques Derrida calls spectrality , understood , in part , as an originary process of mourning that is the condition of all life , indeed , of any body . For Derrida , spectrality does not originate with one's social or biological death ...
Síða 232
... Jacques Derrida , “ The Animal That Therefore I Am ( More to Follow ) , " trans . David Wills , Critical Inquiry 28 ( Winter 2002 ) : 369-418 . 3 W. B. Yeats , Yeats's Poetry , Drama , and Prose , ed . James Pethica ( New York : Nor ...
... Jacques Derrida , “ The Animal That Therefore I Am ( More to Follow ) , " trans . David Wills , Critical Inquiry 28 ( Winter 2002 ) : 369-418 . 3 W. B. Yeats , Yeats's Poetry , Drama , and Prose , ed . James Pethica ( New York : Nor ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
6 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York