Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28,Útgáfur 2-3Indiana University Press, 2006 |
From inside the book
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Síða 74
... Hollywood Cinema [ New York : St. Martin's , 1997 ] , 93 ) , while Constance Penley calls it a “ primal scene fantasy ” ( “ Time Travel , ” 68 ) . See also Robin Wood's description of the “ oedipal trajectory " of such films , in Hollywood ...
... Hollywood Cinema [ New York : St. Martin's , 1997 ] , 93 ) , while Constance Penley calls it a “ primal scene fantasy ” ( “ Time Travel , ” 68 ) . See also Robin Wood's description of the “ oedipal trajectory " of such films , in Hollywood ...
Síða 106
... Hollywood's ever - encroaching infiltration of the domes- tic cultural economy , many Koreans also simultaneously gave in to the dazzling entertainment values of Hollywood fare . Under such circumstances , the appearance of a newly ...
... Hollywood's ever - encroaching infiltration of the domes- tic cultural economy , many Koreans also simultaneously gave in to the dazzling entertainment values of Hollywood fare . Under such circumstances , the appearance of a newly ...
Síða 108
... Hollywood that wields such dominating power , therefore constantly remaining the most influ- ential in the global film market and culture . The issue of how to deal with Hollywood's monopolizing influence has been and is always a ...
... Hollywood that wields such dominating power , therefore constantly remaining the most influ- ential in the global film market and culture . The issue of how to deal with Hollywood's monopolizing influence has been and is always a ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York