Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28,Útgáfur 2-3Indiana University Press, 2006 |
From inside the book
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Síða 203
... Heidegger very explic- itly identifies with the event of man and modernity . In this way , Derrida may miss — and , at the least , he de - emphasises an impor- tant aspect of the historicality of Heidegger's account , which is not ...
... Heidegger very explic- itly identifies with the event of man and modernity . In this way , Derrida may miss — and , at the least , he de - emphasises an impor- tant aspect of the historicality of Heidegger's account , which is not ...
Síða 212
... Heidegger goes on to show , is precisely Cartesian- representationalist : it is a relationship in which whatever is becomes an " object " for man - as - subject , including among such objects man himself as the being ( primary sub ...
... Heidegger goes on to show , is precisely Cartesian- representationalist : it is a relationship in which whatever is becomes an " object " for man - as - subject , including among such objects man himself as the being ( primary sub ...
Síða 223
... Heidegger emphasized the verbal sense of wesen as ' governing ' or ' effecting , ' while retaining the fundamental reference to ' presenc- ing ” ( N4 140 ) . This should be taken into account in every use of the word “ essence ” in this ...
... Heidegger emphasized the verbal sense of wesen as ' governing ' or ' effecting , ' while retaining the fundamental reference to ' presenc- ing ” ( N4 140 ) . This should be taken into account in every use of the word “ essence ” in this ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York