Discourse, Bindi 28,Útgáfur 2-32006 |
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Síða 140
... Guido ; indeed , we would argue that lan- guage itself is for Guido the counterpart to Don Justo's magical boots . We would like to focus on one of the many instances throughout La vita è bella where Guido navigates the language of ...
... Guido ; indeed , we would argue that lan- guage itself is for Guido the counterpart to Don Justo's magical boots . We would like to focus on one of the many instances throughout La vita è bella where Guido navigates the language of ...
Síða 141
... Guido here accepts the assistance of his Uncle , who with- out being prompted , intervenes to furnish the " first prize ” —pre- cisely at the moment when Guido is nervously stuttering and appears to be at a loss . In other words , the ...
... Guido here accepts the assistance of his Uncle , who with- out being prompted , intervenes to furnish the " first prize ” —pre- cisely at the moment when Guido is nervously stuttering and appears to be at a loss . In other words , the ...
Síða 146
... Guido and Giosué's internment , Guido never once solicits explicitly a commitment from any of the other prisoners , though he continually relies on their spontaneously given aid . At one moment , for example , when Guido is serving a ...
... Guido and Giosué's internment , Guido never once solicits explicitly a commitment from any of the other prisoners , though he continually relies on their spontaneously given aid . At one moment , for example , when Guido is serving a ...
Efni
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Höfundarréttur | |
6 aðrir hlutar ekki sýndir
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Common terms and phrases
Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York